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With this latest picture, Gibney seems unable to find images that match the story he wants to tell. In Gibney’s previous films, such as Taxi to the Dark Side and Enron: The Smartest Guys in the Room, he was able to provide deep analysis along with compelling visuals that aided narratives of governmental corruption. This nebulousness of purpose makes you feel like you are not getting the whole story.
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The two-hour documentary covers Holmes’s weaponization of her class status, the hollowness of Silicon Valley, and the incompetence of the federal government’s regulatory agencies, but it is unable to tell us much about any of these subjects in detail. Therefore, though Holmes hovers over the film, we learn very little about her as for her early life, we are told that she read Moby Dick and admired Thomas Edison, probably to serve Gibney’s argument that she was an Icarus shooting for the unreachable, but we are left wondering why we need to see early film shot by Edison. In one scene, Gibney overlays an article about Theranos on still images of a laboratory, a completely un-cinematic way of sharing information that the film returns to again and again. We are overwhelmed with data, often clumsily conveyed. There are some fantastic gets, like early investor Bill Draper who doesn’t believe that the fact he was family friends with Holmes had anything to do with his choice to fund Theranos, but there’s nothing like an actual thesis here. Instead, the viewer is lost in an endless maze of dry re-enactments and footage from Theranos promos and interviews. But unfortunately, Gibney finds himself unable to show why Holmes was such a compelling figure.